Tag: C

ARRI Tungsten

ASTERA

Post author By Ajay Pande
Post date September 3, 2022

ASTERA

HYDRA PANEL

AX2

Fresnels made Portable

Astera’s LeoFresnel is as an exceptional solution for film, studio, and event lighting. LeoFresnel boasts an impressive output comparable to a traditional 1000W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 250 W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.

Fresnels made Portable

Astera’s PlutoFresnel is an exceptional solution for film, studio, and event lighting. PlutoFresnel boasts an impressive output comparable to a traditional 300W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 80W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.

Beam shaping with six included light modifiers and a large range of mounting options make HydraPanel more flexible than any other product in its class. The full-spectrum Titan LED Engine generates an impressive 1300 Lumen output while running on battery power.

LED Bar with built-in battery for stage, events and film lighting

Astera’s Wireless PixelBar is a linear wash fixture with built-in battery pack. Each of its LEDs can be individually addressed and offers ultra-high color rendering, digital color calibration and a native 21° beam. Thanks to its smart stands, hanging bracket, connectable endcaps and the integrated airline track it can be quickly assembled in numerous ways and is suitable for a wide variety of applications such as concert/touring, corporate events, TV etc. The PixelBar is available in 1m (16 x 10W LEDs) and 50cm (8 x 10W LEDs).

Battery-powered LED puck.

The AX3 is a battery operated, easy to use IP65 RGBW puck aimed at stage lighting and corporate events. It can be used as uplight as well as hanging or standing spotlight and inside translucent objects, truss, etc. It is extremely compact and yet offers a high brightness paired with long battery runtime and range.

3-in-1 – The perfect PAR

Optimized for a fast return of investment, this stage lighting fixture replaces your wireless and wired PARs as well as battery uplight. It’s the ultimate tool for entertainment professionals.

AX7 SPOTLITE

PAR Light for Event Lighting

Launched in 2015, AX7 is a PAR light for event lighting with wireless DMX and an IP65 housing.

AX5’s Big Brother

The AX9 utilizes the AX5’s successful 3-in-1 concept which allows it to be used as wireless light and elegant uplight as well as a wired PAR light for longer or bigger installations. This makes it an extremely cost-efficient light and keeps your investment to a minimum. The AX9 packs extreme brightness in a compact and light housing while still giving you industry-leading colors and white tones thanks to its Titan LED Engine.

Bright and Powerful

Launched in 2014, AX10 was Astera’s first light of the AX-series and introduced many powerful features: RGBAW LEDs, TruColor calibration, IP65, foldable stand etc

Get Creative!

Say hello to our next-generation multi-purpose light. In addition to being a battery-powered uplight and spotlight with 5 different beam options, multiple PixelBricks can be connected to form clusters and shapes. With about 10cm edge length and 1kg weight, it is small and lightweight while still featuring a powerful output of high-quality light which meets the highest demands of film, TV and stage clients.

ASTERA APP

The most powerful lighting control App for film and event lighting

The Astera App offers intuitive and fast control of complex lighting setups with fully customizable programs and effects. It is designed to work seamlessly with other control methods. It can set up DMX addresses and footprints for CRMX control and Astera’s IR remote can be used to send App commands to single lights.

Titan PowerBox

Essential accessory for Titan Tubes. Use it to charge or install up to 10 Titan Tube or Helios Tube for longer operation. Also allows wired data transfer from DMX, Artnet and sACN sources. Comes with PowerCon AC cable and 8 short DC charging cables. Longer Power/Data Combination cables sold seperately.

ONE BOX DOES IT ALL.

AsteraBox is an interface between lights and controller. It can be used as a wireless DMX transceiver with CRMX technology and also works as Bluetooth Bridge between AsteraApp and lights. Its built-in battery enables an easy and time-saving setup, just like with all of Astera’s products.

Light bulb for filmmakers and event professionals

The first color-tunable LED bulb for professional film, stage and event productions. Not bigger than a normal LED bulb, it contains a CRMX receiver as well as RF and Bluetooth modules for the AsteraApp. It can be powered via lamp socket or with a standard power bank and thanks to its Titan LED engine it displays precise colors and white tones with ultra-high CRI and TLCI. Available in white and black.

Twice the length, twice the power.

After the enormous success of the Titan Tube, Astera has created the double length Hyperion Tube, which measures just over 2 meters and around 80 inches. Double the LEDs, double the batteries, double the brightness, double the pixels and the same high-quality light with App, CRMX and on-tube control and wired DMX option.

The ultimate LED tube for film, studio, stage and events.

Titan Tube is the ultimate LED tube for filmmakers, studios, event technician and any creative person. It emits powerful, tunable whites with ultra-high color rendering as well as colored light which can be applied to individual pixels or the whole tube. The tube offers unlimited range of usage; indoor or outdoor, AC-powered or on battery, on the go with the AsteraApp, with wired or wireless DMX.

Shorter tube for more portability and flexibility.

Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.

Shorter tube for more portability and flexibility.

Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.

Tags Arri, Ballasts, C, compact, Day, Light, Series, tungsten

ARRI Tungsten

ARRI Studio T

Post author By Ajay Pande
Post date September 3, 2022

ARRI

TUNGSTEN - STUDIO T

STUDIO T12

ARRI STUDIO Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI’s elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength.

STUDIO T24

Tags Arri, Ballasts, C, compact, Day, Light, Series, tungsten

ARRI Tungsten

ARRI True Blue T

Post author By Ajay Pande
Post date September 2, 2022

ARRI

TUNGSTEN

True Blue T1

ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T1 is available in both manual and pole-operated versions.

True Blue T2

ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T2 is available in both manual and pole-operated versions.

True Blue T5

ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T5 is available in both manual and pole-operated versions.

Tags Arri, Ballasts, C, compact, Day, Light, Series, tungsten

ARRI

ARRI Ballasts

Post author By Ajay Pande
Post date September 2, 2022

ARRI

Ballasts

MAX Range

Starting with the EB MAX 1.8 in 2017 ARRI built the foundation for a whole new range of high speed electronic ballasts – the EB MAX Range. Together with three other models − EB MAX 2.5/4, EB MAX 6/9 and EB MAX 12/18 − the MAX ballasts offer cutting-edge features with new remote control possibilities from 575 up to 18,000 W.

Combined with state-of-the-art ARRI daylight lampheads such as the True Blue Daylight or M-Series, the EB MAX Range enables optimal performance and advanced control for high image quality at any frame rate.

For ultimate ease of use, indicators on the ballast’s front panel display the lamp wattage, DMX channel, operation mode and selected lamp frequency.

High Speed Range

ARRI’s High Speed ballasts accept the challenge of modern digital high-speed photography with ease.

Running lamp frequencies up to 1,200 Hz High Speed ballasts facilitate high quality flicker free images even at frame rates of 1,000 fps and in many cases beyond even with a single discharge daylight source. Set to High Speed mode, ARRI electronic ballasts supply the lamp with a greatly raised square wave current, allowing worriless shootings for many various application such as SFX, VFX, commercials, sports, industrial applications, automotive component testing, ballistics or material testing.

ARRI High Speed electronic ballasts are available up to 800 W.

Basic Range

For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. The range of ARRI Basic ballasts features state-of-the-art electronics and offers easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories complete the ARRI Lighting product line.

Event

ARRI also offers ballast solutions dedicated to the Event business. The intelligent remote 19″ electronic ballast untis are made for rack mount installations with multicore power distribution. Those ballasts fit perfectly to the lampheads of the ARRI Event series.

The ballast units (except of EB 575 EVENT SINGLE) consist of three easily exchangeable modules and can be operated manually or via DMX remote control. Each channel can be switched or dimmed to 50 % individually and the front panel indicators show the status of both – lamphead and ballast.

Tags Arri, Ballasts, C, compact, Day, Light, Series

ARRI

ARRI Compact Theater

Post author By Ajay Pande
Post date September 2, 2022

ARRI

Compact Theater

Compact 2500 Theater

Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theater Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theater range is perfect for the demanding world of theater lighting.

Compact 4000 Theater

Tags Arri, C, compact, L, Light, Series, theater

ARRI

ARRI DayLight 18/12

Post author By Ajay Pande
Post date September 2, 2022

ARRI

Daylight - 18/12

18/12

Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI Daylight Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI Electronic High Speed Ballasts, this rugged HMI Fresnel is ideal for all types of location lighting.

Tags Arri, C, Daylight, Light, Series

ARRI

True Blue D Series

Post author By Ajay Pande
Post date September 1, 2022

ARRI

true blue d

D5

Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI True Blue D-Series Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged True Blue D-Series is ideal for all types of location lighting.

D12

D25

D40

Tags Arri, C, Daylight, Light, M, Series

ARRI

Arri M Series

Post author By lotus
Post date August 30, 2022

ARRI

M SERIES

M8

The M8 is the latest and smallest lighting fixture in ARRI’s highly successful M-Series of HMI lampheads. Like the rest of the M-Series, the M8 is equipped with MAX Technology, a unique, patented reflector design that unifies the advantages of a Fresnel and a PAR fixture.

The combination of an open face design and the unrivalled efficiency of the MAX Technology reflector makes the M8 exceptionally bright; in fact, the light output produced by its 800 W lamp comes close to the output from a 1,200 W Fresnel or PAR (with lens). The unit can be focused between 15° and 60° just by turning the focus knob, producing a remarkably even light field and a crisp, clear shadow. By eliminating the need for bulky, easily breakable spread lenses, the M8 will speed up workflows on set.

M18

The M18 is an 1,800 W open face lamphead, combining the Academy Scientific and Engineering Award-winning lens-less optical technology of the ARRIMAX with the innovative True Blue design. The result is an extremely powerful lamphead, as small as a 1,200W PAR but with a 70 % higher light output. The M-Series M18 fixture is adjustable from 20° to 60° without requiring spreader lenses.

M40

A member of the ARRI M-Series, the M40 is a lens-less system that unifies the advantages of Fresnel and PAR fixtures. The unit is open face and thus very bright: around 30 % brighter than an AS40 in spot. Due to its unique, patented MAX Technology reflector, it is also focussable over a range of 18 to 52° Half Peak Angle. The M40 gives a remarkably even beam spread that casts crisp shadows over the whole focus range. The reflector characteristics is optimised for 4,000 W lamps, but can also be used with 2,500 W lamps.

The lamphead is equipped with a CCL module (Compensation of Cable Losses). When operated with the ARRI EB 2.5/4 kW High Speed AutoScan with CCL, full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output indepent from cable length.

M90

The M90 closes the gap between M40 and ARRIMAX 18/12, which sits almost exactly in the middle between the two. The unit is focusable from 15° up to 49° just by turning the focus knob, producing a remarkably even light field and a crisp, clear shadow.
The elimination of spread lenses speeds up the workflow on set.

The 9,000 W lamp is very similar in size to the 6,000 W lamp, which makes the MAX Technology reflector function perfectly at both wattages. The superior housing and cooling concept have made a very compact design close to the dimensions of the ARRISUN 60.

Together with the latest electronic high speed ballast, EB 6/9 HS with AutoScan, this combination represents the state of the art daylight system for high quality images at high frame rates. All EB 6/9 kW ballasts are equipped with CCL module (Compensation of Cable Losses) enabling full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output independent from cable length. Since the accompanying EB 6/9 kW ballast uses the housing of the current EB 6000 Baby, the 6 kW Head-to-Ballast cables are compatible and the whole system is highly efficient and delivers a light output close to a traditional 12 kW PAR (with lens) within the dimensions of a 6 kW PAR system – it punches above its weight!

ARRIMAX 18/12

The original Academy Award-winning ARRIMAX remains the ultimate choice for productions requiring maximum light output. The 580 mm (22.8”) diameter, parabolic facetted reflector provides continuous focus adjustment from 15° to 50° beam angle and, since the ARRIMAX does not require a set of spread lenses, shadows are sharp and easily cut.

Safe and easy for both lamp type bases 18/12 kW, 18,000 W single ended lamps use a sturdier GX51 lamp base for which ARRI engineers have designed a special lampholder that alleviates mechanical stress from the lamp pins, now serving only as an electrical connection. The lamp clamping mechanism is self-aligning and uses a rugged, recessed lamp lock handle. To ensure that crews can easily use 12,000 W lamps or versions of 18,000 W single ended lamps with G38 bases, the new lampholder accepts either lamp type with no modification or adjustment.

Tags Arri, C, Daylight, Light, M, Series

ARRI

Arri L Series

Post author By lotus
Post date August 30, 2022

ARRI

L SERIES

L5-C

Color temperature, tint and hue can be continuously adjusted from 2,800 K to 10,000K, between full plus or minus green and RGBW colors.

The L5 addition to the L-Series perfectly complements the L7, allowing for more mobile lighting and a wider range of power classes for television studios. Its compact size and low weight allow the L5 to be rigged in tight places and hung from low ceilings. The L5 is also ideal for cramped location shoots and interview setups. Low heat allows safer and more comfortable shooting conditions. This versatility and superb light quality make the L5 a highly anticipated addition to the award-winning L-Series family.

New features available on the L5 include a powerCON power connector and an on-board battery input that permits industry-standard batteries to power the L5 without any sacrifice in terms of features or light output. The resulting increase in portability opens up whole new application areas, giving productions with the L5 the tremendous freedom to move and work fast.

The L5 is approximately 45 % brighter than a 300 W tungsten Fresnel, but only consumes 115 watts. When compared to the L7, the L5 is half the weight and size.

STAND-MOUNT
versions include the following base configuration: 16 mm / 28 mm Combo Pin (Baby 5/8″ / Junior 1-1/8″ Combo Pin), Inline Switch, Integrated 5-Pin DMX In and Thru.

HANGING
versions include the following base configuration: 16 mm / 28 mm Combo Pin (Baby 5/8″ / Junior 1-1/8″ Combo Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

POLE-OPERATED
versions include the following base configuration: Pole Operation for Pan, Tilt and Focus, 16 mm / 28 mm Combo Pin (Baby 5/8″ / Junior 1-1/8″ Combo Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

L7-C

Color temperature, tint and hue can be continuously adjusted from 2,800 K to 10,000 K, between full plus or minus green and RGBW colors.

LIGHT ENGINE 2
L7-Cs with the new LE2 are 25 % brighter than previous L7-C versions.

STAND-MOUNT
versions include the following base configuration: 28 mm Spigot (Junior Pin), Inline Switch, Integrated 5-Pin DMX In and Thru.

HANGING
versions include the following base configuration: 28 mm Spigot (Junior Pin), 1,5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

POLE-OPERATED
versions include the following base configuration: Pole Operation for Pan, Tilt and Focus, 28 mm Spigot (Junior Pin), 1,5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

L10-C

Color temperature, tint and hue can be continuously adjusted from 2,800 K to 10,000 K, between full plus or minus green and RGBW colors.

The L10 is the brightest and largest L-Series lamphead to date. Its substantial 10″ Fresnel lens and powerful output allow for more distant fixture placement and the wrapping of light around objects in a natural and pleasing way. At more than twice the brightness of the L7, the L10 is also one of the brightest LED Fresnels on the market.

Tuneability is the cornerstone of all ARRI LED fixtures and much like the L7 and L5, its smaller counterparts, the L10 is fully color tuneable. With the ability to adjust the color temperature from 2,800 K to 10,000 K, as well as the green/magenta point, users have complete control over the color output of the fixture.

In a robust housing that combines aluminum with high-strength, fiberglass-reinforced thermoplastics, the L10 is designed to withstand the stresses of diverse professional environments, from motion picture sets to television studios and everything in-between. This robust construction allows the L10 to live up to the benchmark of rugged durability set by other ARRI lighting fixtures.

STAND-MOUNT
versions include the following base configuration: 28 mm Spigot (Junior Pin), Inline Switch, Integrated 5-Pin DMX In and Thru.

HANGING
versions include the following base configuration: 28 mm Spigot (Junior Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

POLE-OPERATED
versions include the following base configuration: Pole Operation for Pan, Tilt and Focus, 28 mm Spigot (Junior Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

Tags Arri, C, L, Light, Series

ASTERA

Fresnels made Portable

Fresnels made Portable

Beam shaping with six included light modifiers and a large range of mounting options make HydraPanel more flexible than any other product in its class. The full-spectrum Titan LED Engine generates an impressive 1300 Lumen output while running on battery power.

LED Bar with built-in battery for stage, events and film lighting

Battery-powered LED puck.

3-in-1 – The perfect PAR

Optimized for a fast return of investment, this stage lighting fixture replaces your wireless and wired PARs as well as battery uplight. It’s the ultimate tool for entertainment professionals.

AX7 SPOTLITE

PAR Light for Event Lighting

Launched in 2015, AX7 is a PAR light for event lighting with wireless DMX and an IP65 housing.

AX5’s Big Brother

Bright and Powerful

Launched in 2014, AX10 was Astera’s first light of the AX-series and introduced many powerful features: RGBAW LEDs, TruColor calibration, IP65, foldable stand etc

Get Creative!

ASTERA APP

The most powerful lighting control App for film and event lighting

Titan PowerBox

ONE BOX DOES IT ALL.

AsteraBox is an interface between lights and controller. It can be used as a wireless DMX transceiver with CRMX technology and also works as Bluetooth Bridge between AsteraApp and lights. Its built-in battery enables an easy and time-saving setup, just like with all of Astera’s products.

Light bulb for filmmakers and event professionals

Twice the length, twice the power.

The ultimate LED tube for film, studio, stage and events.

Shorter tube for more portability and flexibility.

Shorter tube for more portability and flexibility.

ARRI

TUNGSTEN - STUDIO T

STUDIO T12

Tungsten

Tungsten

STUDIO T24

ARRI

TUNGSTEN

True Blue T1

Tungsten

Tungsten

True Blue T2

True Blue T5

Tungsten

ARRI

Ballasts

MAX Range

BALLASTS

BALLASTS

High Speed Range

Basic Range

BALLASTS

BALLASTS

Event

ARRI

Compact Theater

Compact 2500 Theater

Compact Theater

Compact Theater

Compact 4000 Theater

ARRI

Daylight - 18/12

18/12

DAYLIGHT 18/12

ARRI

true blue d

D5

TRUE BLUE D

TRUE BLUE D​

D12

D25

TRUE BLUE D

M Series C

D40

ARRI

M SERIES

M8

M Series C

M Series C

M18

M40

M Series C

M Series C

M90

ARRIMAX 18/12

TRUE BLUE D