Category: ARRI

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LED Lights

Astera_LED_Light

LED for Event Lighting Solution


Know about us




Battery





IP65





mOBILE APP





TRUE WIRELESS

All Astera products can be controlled in three ways using the infrared remote, the Astera app or wireless DMX. They have multiple mounting options, an IP65 rating protecting them from water and rain, as well as an adjustable runtime.

All Astera fixtures, especially when combined with the Astera app, have some great features that set them far
ahead of their rivals.

Features



Wireless

TalkBack Plus lets you set them up wirelessly and monitor battery life




Seamless

The seamless runtime feature allows you to program the lights to maintain optimal brightness for the
duration of your event.




True Colours

True colour calibration matches exact colour temperature and filter gels from leading manufacturers.




Adjustable Frequency

The adjustable frequency feature mitigates flickering on screen.




Auto BPM

Auto BPM matches the lighting effects to the rhythm of music.




Battery

Scheduling enhances battery life by enabling you to turn them on and off at predetermined times.




Boots Display

The dynamic power feature boosts display to the maximum brightness possible as well as intensifying
all non-white colours.




Anti-theft

The anti-theft function prevents unwanted movement of the lights by using visual and audible alarms.




Convertible

They can also be ran cabled as emergency lights to have them switch automatically to white lights when
power is cut off. A great safety feature

Who we are….

WE, LOTUS CINE GROUP, ARE DISTRIBUTORS AND SERVICE PROVIDERS FOR ALL THE ASTERA LIGHTS WE CAN GUARANTEE TO OFFER THE MOST ATTRACTIVE PRICING. AS THEY ARE SO EASY TO OPERATE YOU MAY NOT EVEN NEED A TECHNICIAN TO ASSIST YOU, WHICH MAKES THESE LIGHTS EVEN BETTER VALUE.


Fresnels made Portable

Astera’s PlutoFresnel is an exceptional solution for film, studio, and event lighting. PlutoFresnel boasts an impressive output comparable to a traditional 300W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 80W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.


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Fresnels made Portable

Astera’s LeoFresnel is as an exceptional solution for film, studio, and event lighting. LeoFresnel boasts an impressive output comparable to a traditional 1000W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 250 W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.


For more details


Get Creative!

Say hello to our next-generation multi-purpose light. In addition to being a battery-powered uplight and spotlight with 5 different beam options, multiple PixelBricks can be connected to form clusters and shapes. With about 10cm edge length and 1kg weight, it is small and lightweight while still featuring a powerful output of high-quality light which meets the highest demands of film, TV and stage clients.


For more details


Twice the length, twice the power.

After the enormous success of the Titan Tube, Astera has created the double length Hyperion Tube, which measures just over 2 meters and around 80 inches. Double the LEDs, double the batteries, double the brightness, double the pixels and the same high-quality light with App, CRMX and on-tube control and wired DMX option.


For more details


Shorter tube for more portability and flexibility.

Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.


For more details


The ultimate LED tube for film, studio, stage and events.

Titan Tube is the ultimate LED tube for filmmakers, studios, event technician and any creative person. It emits powerful, tunable whites with ultra-high color rendering as well as colored light which can be applied to individual pixels or the whole tube. The tube offers unlimited range of usage; indoor or outdoor, AC-powered or on battery, on the go with the AsteraApp, with wired or wireless DMX.


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Shorter tube for more portability and flexibility.

Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.


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Categories
ARRI Tungsten

ProLight

EclProfile FWIP

Waterproofed high quality Full White LED ellipsoidal available in Tungsten and Daylight versions
EclProfile FWIP is the IP Full White version of the new generation of Ecl Profile LED ellipsoidals, and it is available in the TU (tungsten) and DY (daylight) source variants. The EclProfile FWIP has been engineered in the same housing and optical design of the colour mixing versions and for those users who require higher brightness and quality on a specific white point, offering a superior evenness and crisp focus of the new EclProfile range, or simply prefer to operate LED fixtures in a classical way. The LED source for both versions has been selected to achieve the finest quality of whites, having high scores of CRI, R9 and TM30 and being ideal for applications like corporate events, advertising, exhibitions, among others.


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EclPanel TWCJr

370W Tunable White and colourful LED soft light with pixels and lighting effects (driven @ 220W)
EclPanel TWCJr, is the compact 1×1 LED soft light that provides a beautiful, wide source of soft and precise colours. In addition to this, the PROLIGHTS EclPanel TWCJr comes with a full range of white reproductions, from daylight through to tungsten tones, reaching a superior light quality with high CRI, TLCI and TM-30. The EclPanel TWCJr allows for quick and accurate local adjustment of light through 3 rotatory knobs with three fully featured modes: CCT with +/- green shift, HSI for total control of hue, saturation and intensity, FX mode to access the on board pixel cinema effects. The unit can also be controlled on a per-section basis, allowing for reproduction of onboard customisable effects or to be self-made through the lighting desk. Both methods provide eye-candy, with the appealing and modern front looks and cinematic special effects. The unit is designed with an onboard driver and built-in power supply and, being lightweight, the EclPanel TWCJr offers easy rigging and cabling making it the perfect lighting tool for every location.


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Micro BenderRa 2000ProfileHB

540W Touring high-flux LED moving profile
The Ra 2000ProfileHB is the high-flux variant of the Ra 2000Profile designed for touring applications, offering the same footprint and feature set, but engineered around an LED source, which scores 40% higher intensity with lower colour rendering. Powerful, compact and fully equipped with both framing shutters and an animation wheel, all whilst delivering a superior brightness, the Ra 2000ProfileHB is an indispensable tool for any show. The 6.300 K LED engine has been custom-engineered to make the Ra 2000ProfileHB hit a 18’900 lumen output, and the on-board CRI enhancement filter still allows the possibility to obtain a CRI > 83. The Ra 2000ProfileHB CMY system delivers beautiful pastels, stunning saturated colours and powerful primaries. One colour wheel provides split colours, and linear CTO allows the Ra 2000ProfileHB to blend in with traditional sources. This unit is packed with powerful features like a gobo wheel, adjustable framing shutters, an animation wheel, iris, prism and dual linear frost. The highly efficient optical system delivers a 1:6 zoom from 8° to 50°, and crisp focus to perfectly merge multi-layer effects. The Ra 2000ProfileHB is the embodiment of solid-state LED technology.


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Astra Wash7Pix

7x40W RGBW moving wash light with 4°-56° zoom and pixel control
Astra Wash7Pix is a compact and fast LED moving wash light. Despite its small size, it comes with an extensive feature set which can typically only be found on bigger luminaires.
Based on a 40W Osram RGBW LED light source, the unit features an extremely high-efficient optical system capable of zooming from 4° to 56°, making it extremely versatile for any application as beam or wash light.
Astra Wash7Pix is single pixel controllable, with multiple on-board FX, and allows access to a precise and advanced white and colour control, all through DMX, W-DMX, Art-Net, sACN, Kling-Net and RDM.


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Categories
ARRI Tungsten

CREAMSOURCE

The Vortex8 is a versatile 2×1 RGBW system with CCT ranging from 2200K to 15000K that can be used as a hard punch light to bounce or push through diffusion, or as a creamy soft light with the Creamsource Dome or DoPchoice Snapbag. Effects and colour Gels are built into the latest CreamOS architecture in addition to a range of new features wrapped into an intuitive user interface.
Unpredictable weather and messy effects machines are no longer a worry for the lighting department where the Vortex is in place. The Vortex8 is IP65 water resistant and sealed for the ultimate security and efficiency. Rain, snow and dust wont hold the Vortex back.


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SpaceX

The Creamsource SpaceX is an innovative approach to high powered film and TV lighting providing a full spectrum soft source. SpaceX combines the latest LED technology with sophisticated colour management, optimised form factor, ergonomics and elegant design in a light weight 18kg/40Lb package.
SpaceX boasts an array of six powerful LED engines, cooled by a highly efficient and quiet fan system, and integrated lightweight power supply directly into the fixture – doing away with bulky and heavy external ballasts.
SpaceX opens up a myriad of possibilities for gaffers and lighting specialists, in-studio and on location.
But… It’s expensive, right?
Nope! You get twice the light output for your dollar compared to the rest of the market. At $5.40 per Watt of power, SpaceX is under half the average market price.


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The Vortex4 is a 1×1 RGBW All-In-One system with PSU and antennas integrated, reading 7300lux @3m on the meter. This fixture has a CCT range from 2200K to 15000K. Vortex can be used as a hard light or soft light with the Creamsource Diffuser or Dome.
Effects and colour gels and our latest technology ‘FrameSync’ are built into the latest CreamOS architecture. Like it’s big brother, Vortex4 has no problem with weather, messy effects machines or extreme dust. The Vortex4 is IP65 water resistant and sealed for the ultimate security and efficiency.


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Micro Bender

The Creamsource Micro is the first product in the line up this is compact, and aimed at the owner operator.
It features a rugged and waterproof design, with an IP65 rating which means it can be used in all weather. The light output is the same excellent quality as the rest of the Creamsource range, with colour temperature adjustable from 2700 to 6500K and a CRI/TLCI of greater than 95. Drawing only 80W, it rivals the light output and punch typical of some 200W HMI Luminaires.


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Micro Colour

The Creamsource Micro Colour features calibrated red, green, blue and white LEDs (RGBW) – so as well as producing beautiful white light in any CCT from 2,200K to 15,000K, it also has green/magenta adjustment and can produce vivid, saturated colours.
The Micro Colour has a 20 degree beam angle for maximum punch, fan-free cooling for silent operation, and is water resistant so it can be used in all weather (IP65 rated). It is lightweight yet rugged, quick to rig and its compact form factor means it can squeeze into small spaces on set.


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Categories
ARRI Tungsten

ASTERA

ASTERA


HYDRA PANEL


AX2


Fresnels made Portable

Astera’s LeoFresnel is as an exceptional solution for film, studio, and event lighting. LeoFresnel boasts an impressive output comparable to a traditional 1000W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 250 W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.


For more details


Fresnels made Portable

Astera’s PlutoFresnel is an exceptional solution for film, studio, and event lighting. PlutoFresnel boasts an impressive output comparable to a traditional 300W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 80W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.


For more details


Beam shaping with six included light modifiers and a large range of mounting options make HydraPanel more flexible than any other product in its class. The full-spectrum Titan LED Engine generates an impressive 1300 Lumen output while running on battery power.


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LED Bar with built-in battery for stage, events and film lighting

Astera’s Wireless PixelBar is a linear wash fixture with built-in battery pack. Each of its LEDs can be individually addressed and offers ultra-high color rendering, digital color calibration and a native 21° beam. Thanks to its smart stands, hanging bracket, connectable endcaps and the integrated airline track it can be quickly assembled in numerous ways and is suitable for a wide variety of applications such as concert/touring, corporate events, TV etc.
The PixelBar is available in 1m (16 x 10W LEDs) and 50cm (8 x 10W LEDs).


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Battery-powered LED puck.

The AX3 is a battery operated, easy to use IP65 RGBW puck aimed at stage lighting and corporate events. It can be used as uplight as well as hanging or standing spotlight and inside translucent objects, truss, etc. It is extremely compact and yet offers a high brightness paired with long battery runtime and range.


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3-in-1 – The perfect PAR

Optimized for a fast return of investment, this stage lighting fixture replaces your wireless and wired PARs as well as battery uplight. It’s the ultimate tool for entertainment professionals.


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AX7 SPOTLITE

PAR Light for Event Lighting

Launched in 2015, AX7 is a PAR light for event lighting with wireless DMX and an IP65 housing.


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AX5’s Big Brother

The AX9 utilizes the AX5’s successful 3-in-1 concept which allows it to be used as wireless light and elegant uplight as well as a wired PAR light for longer or bigger installations. This makes it an extremely cost-efficient light and keeps your investment to a minimum.
The AX9 packs extreme brightness in a compact and light housing while still giving you industry-leading colors and white tones thanks to its Titan LED Engine.


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Bright and Powerful

Launched in 2014, AX10 was Astera’s first light of the AX-series and introduced many powerful features: RGBAW LEDs, TruColor calibration, IP65, foldable stand etc


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Get Creative!

Say hello to our next-generation multi-purpose light. In addition to being a battery-powered uplight and spotlight with 5 different beam options, multiple PixelBricks can be connected to form clusters and shapes. With about 10cm edge length and 1kg weight, it is small and lightweight while still featuring a powerful output of high-quality light which meets the highest demands of film, TV and stage clients.


For more details

ASTERA APP

The most powerful lighting control App for film and event lighting

The Astera App offers intuitive and fast control of complex lighting setups with fully customizable programs and effects. It is designed to work seamlessly with other control methods. It can set up DMX addresses and footprints for CRMX control and Astera’s IR remote can be used to send App commands to single lights.


For more details

https://lotuscine.com/wp-content/uploads/2022/09/Titan-PowerBox.mp4#t=5

Titan PowerBox

Essential accessory for Titan Tubes. Use it to charge or install up to 10 Titan Tube or Helios Tube for longer operation. Also allows wired data transfer from DMX, Artnet and sACN sources. Comes with PowerCon AC cable and 8 short DC charging cables. Longer Power/Data Combination cables sold seperately.


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ONE BOX DOES IT ALL.

AsteraBox is an interface between lights and controller. It can be used as a wireless DMX transceiver with CRMX technology and also works as Bluetooth Bridge between AsteraApp and lights. Its built-in battery enables an easy and time-saving setup, just like with all of Astera’s products.


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Light bulb for filmmakers and event professionals

The first color-tunable LED bulb for professional film, stage and event productions. Not bigger than a normal LED bulb, it contains a CRMX receiver as well as RF and Bluetooth modules for the AsteraApp. It can be powered via lamp socket or with a standard power bank and thanks to its Titan LED engine it displays precise colors and white tones with ultra-high CRI and TLCI. Available in white and black.


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Twice the length, twice the power.

After the enormous success of the Titan Tube, Astera has created the double length Hyperion Tube, which measures just over 2 meters and around 80 inches. Double the LEDs, double the batteries, double the brightness, double the pixels and the same high-quality light with App, CRMX and on-tube control and wired DMX option.


For more details


The ultimate LED tube for film, studio, stage and events.

Titan Tube is the ultimate LED tube for filmmakers, studios, event technician and any creative person. It emits powerful, tunable whites with ultra-high color rendering as well as colored light which can be applied to individual pixels or the whole tube. The tube offers unlimited range of usage; indoor or outdoor, AC-powered or on battery, on the go with the AsteraApp, with wired or wireless DMX.


For more details


Shorter tube for more portability and flexibility.

Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.


For more details


Shorter tube for more portability and flexibility.

Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.


For more details

Categories
ARRI Tungsten

ARRI Studio T

ARRI

TUNGSTEN – STUDIO T

STUDIO T12

ARRI STUDIO Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI’s elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength.


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Tungsten

Tungsten

STUDIO T24

ARRI STUDIO Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI’s elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength.


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Categories
ARRI Tungsten

ARRI True Blue T

ARRI

TUNGSTEN

True Blue T1

ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T1 is available in both manual and pole-operated versions.


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Tungsten

Tungsten

True Blue T2

ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T2 is available in both manual and pole-operated versions.


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True Blue T5

ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T5 is available in both manual and pole-operated versions.


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Tungsten

Categories
ARRI

ARRI Ballasts

ARRI

Ballasts

MAX Range

Starting with the EB MAX 1.8 in 2017 ARRI built the foundation for a whole new range of high speed electronic ballasts – the EB MAX Range. Together with three other models − EB MAX 2.5/4, EB MAX 6/9 and EB MAX 12/18 − the MAX ballasts offer cutting-edge features with new remote control possibilities from 575 up to 18,000 W.

Combined with state-of-the-art ARRI daylight lampheads such as the True Blue Daylight or M-Series, the EB MAX Range enables optimal performance and advanced control for high image quality at any frame rate.

For ultimate ease of use, indicators on the ballast’s front panel display the lamp wattage, DMX channel, operation mode and selected lamp frequency.


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BALLASTS

BALLASTS

High Speed Range

ARRI’s High Speed ballasts accept the challenge of modern digital high-speed photography with ease.

Running lamp frequencies up to 1,200 Hz High Speed ballasts facilitate high quality flicker free images even at frame rates of 1,000 fps and in many cases beyond even with a single discharge daylight source. Set to High Speed mode, ARRI electronic ballasts supply the lamp with a greatly raised square wave current, allowing worriless shootings for many various application such as SFX, VFX, commercials, sports, industrial applications, automotive component testing, ballistics or material testing.

ARRI High Speed electronic ballasts are available up to 800 W.


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Basic Range

For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. The range of ARRI Basic ballasts features state-of-the-art electronics and offers easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories complete the ARRI Lighting product line.


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BALLASTS

BALLASTS

Event

ARRI also offers ballast solutions dedicated to the Event business. The intelligent remote 19″ electronic ballast untis are made for rack mount installations with multicore power distribution. Those ballasts fit perfectly to the lampheads of the ARRI Event series. 

The ballast units (except of EB 575 EVENT SINGLE) consist of three easily exchangeable modules and can be operated manually or via DMX remote control. Each channel can be switched or dimmed to 50 % individually and the front panel indicators show the status of both – lamphead and ballast. 


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Categories
ARRI

ARRI Compact Theater

ARRI

Compact Theater

Compact 2500 Theater

Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theater Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theater range is perfect for the demanding world of theater lighting.


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Compact Theater

Compact Theater

Compact 4000 Theater

Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theater Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theater range is perfect for the demanding world of theater lighting.


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Categories
ARRI

ARRI DayLight 18/12

ARRI

Daylight – 18/12

18/12

Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI Daylight Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI Electronic High Speed Ballasts, this rugged HMI Fresnel is ideal for all types of location lighting.


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DAYLIGHT 18/12

Categories
ARRI

True Blue D Series

ARRI

true blue d

D5

Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI True Blue D-Series Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged True Blue D-Series is ideal for all types of location lighting.


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TRUE BLUE D

TRUE BLUE D​

D12

Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI True Blue D-Series Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged True Blue D-Series is ideal for all types of location lighting.

 


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D25

Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI True Blue D-Series Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged True Blue D-Series is ideal for all types of location lighting.


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TRUE BLUE D

M Series C

More light, less work

D40

Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI True Blue D-Series Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged True Blue D-Series is ideal for all types of location lighting.


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