PETER MOLE, founder of Mole-Richardson Co., was born in Sicily in 1891. At the age of 6, moved to New York and attended Our Lady of Mount Carmel Parochial School until 6th grade. His education did not continue until age 20. After he moved to Buffalo, New York, Peter enrolled at Bryan & Stratton, a 2 year Business & Engineering College where he received his degree. At Union College in Schenectady, NY, Peter Mole earned his Electrical Engineering Degree. From 1917 to 1923 he worked for General Electric Company and in 1923 moved to Los Angeles.
High output, single source proprietary Mole-Richardson LED powered by house circuit, green & magenta correction, factory preset &
variable-color temps, 4-channel DMX, LumenRadio, RDM, dual user interface for local control – 2.8” LCD touch-screen and twist & push selector, Bluetooth connectivity via Mole-Richardson iOS App, firmware upgradeable and user presets.
High output, single source proprietary Mole-Richardson LED powered by house circuit, green & magenta correction, factory preset &
variable-color temps, 4-channel DMX, LumenRadio, RDM, dual user interface for local control – 2.8” LCD touch-screen and twist & push selector, Bluetooth connectivity via Mole-Richardson iOS App, firmware upgradeable and user presets.
High output, single source proprietary Mole-Richardson LED powered by house circuit, green & magenta correction, factory preset &
variable-color temps, 4-channel DMX, LumenRadio, RDM, dual user interface for local control – 2.8” LCD touch-screen and twist & push selector, Bluetooth connectivity via Mole-Richardson iOS App, firmware upgradeable and user presets.
High output, single source proprietary Mole-Richardson LED powered by house circuit, green & magenta correction, factory preset &
variable-color temps, 4-channel DMX, LumenRadio, RDM, dual user interface for local control – 2.8” LCD touch-screen and twist & push selector, Bluetooth connectivity via Mole-Richardson iOS App, firmware upgradeable and user presets.
High output, single source proprietary Mole-Richardson LED powered by house circuit, green & magenta correction, factory preset &
variable-color temps, 4-channel DMX, LumenRadio, RDM, dual user interface for local control – 2.8” LCD touch-screen and twist & push selector, Bluetooth connectivity via Mole-Richardson iOS App, firmware upgradeable and user presets.
A high output, single source proprietary Mole-Richardson LED powered by house circuit, 4-channel DMX, LumenRadio, RDM, 2.8” LCD touch-screen and twist & push selector, Bluetooth connectivity via Mole-Richardson iOS App, firmware upgradeable and user presets
High output, multiple single source proprietary Mole-Richardson LED powered by house circuit, green & magenta correction, factory preset & variable-color temps, 4-channel DMX, LumenRadio, RDM, dual user interface for local control – 2.8” LCD touch-screen and twist & push selector, Bluetooth connectivity via Mole-Richardson iOS App, firmware upgradeable and user presets.
High output, multiple single source proprietary Mole-Richardson LED powered by house circuit, green & magenta correction, factory preset &
variable-color temps, 4-channel DMX, LumenRadio, RDM, dual user interface for local control – 2.8” LCD touch-screen and twist & push selector, Bluetooth connectivity via Mole-Richardson iOS App, firmware upgradeable and user presets.
2.8” LCD Touch-Screen and Twist & Push Selector, Factory Preset and Variable Color Temperatures, Green and Magenta correction, Lumen Radio, RDM, User Presets, firmware upgradeable, and Bluetooth Connectivity Via Mole-Richardson iOS App.
Rosco LitePad CCT is a tunable white, flat panel LED light source, providing even, indirect lighting. At only 8mm thick, LitePad CCT is perfectly suited to virtually any backlighting installation or to projects where only a cool, low profile light source can be used. LitePad’s patented system is comprised of indirect LED sources machined into a cast acrylic panel. Light amplifying channels etched into the rear surface of the plastic sheet smoothly and evenly distribute light across the entire surface of the LitePad. This durable and reliable construction can be fabricated in virtually any size or shape and is easily installed.
LitePad CCT Tunable White offers all the same features of Rosco’s standard LitePad product but includes a variable color temperature light output. Two separate channels of LEDs allow you to dial in the precise quality of white light, from 3000K to 6500K. Dimming and control accessories sold separately.
Rosco Custom LitePad CCT 95 is a tunable white, flat panel LED light source providing even, indirect lighting and which, at only 8mm thick, is perfectly suited to virtually any backlighting installation or to projects where only a cool, low profile light source can be used. LitePad’s patented system is comprised of indirect LED sources machined into a cast acrylic panel. Light amplifying channels etched into the rear surface of the plastic sheet smoothly and evenly distribute light across the entire surface of the LitePad. This durable and reliable construction can be fabricated in virtually any size or shape and is easily installed. A variety of options are available to customize light output, power management, and dimming control. Rosco project consultants are available to assist in specifying the optimal configuration of panels and accessories for your project.
The tunable white Custom LitePad CCT 95 offers all the same features of Rosco’s standard LitePad product but includes a variable color temperature light output. Two separate channels of LEDs allow you to dial in the precise quality of white light, from 2700K to 6500K. Dimming and control accessories sold separately.
Rosco Custom LitePad HO 95 (95+ CRI) is a flat panel, edge-lit, LED light source providing even, indirect lighting and is available in six color temperatures: 2700K, 3000K, 3500K, 4100K, 5300K, 6500K. At only 8 mm thick, Custom LitePad HO 95 is perfectly suited for virtually any backlighting installation or projects where only a cool, low profile light source can be used.
Comprised of indirect LED sources machined into a cast acrylic panel (a patented system), Custom LitePad HO 95 is both durable and reliable, and can be fabricated in virtually any size or shape. Custom LitePad HO 95 includes all the same features of Rosco’s standard LitePad product but offers a superior color rendering for projects where color fidelity is critical. Rosco project consultants are available to assist in specifying the optimal configuration of panels and accessories for your project.
Rosco LitePad HO90 is a flat panel LED light source providing even, indirect lighting and is available in three color temperatures: 2800K, 4000K, and 5300K. At only 8mm thick, LitePad HO90 is perfectly suited to virtually any backlighting installation or to projects where only a cool, low profile light source can be used. LitePad’s patented system is comprised of indirect LED sources machined into a cast acrylic panel. Light amplifying channels etched into the rear surface of the plastic sheet smoothly and evenly distribute light across the entire surface of the LitePad. This durable and reliable construction can be fabricated in virtually any size or shape and is easily installed. A variety of options are available to customize light output, power management, and dimming control. Rosco project consultants are available to assist in specifying the optimal configuration of panels and accessories for your project.
LitePad HO90 offers all the same features of Rosco’s standard LitePad product but offers a superior color rendering for projects where color fidelity is critical.
Rosco’s Custom LitePad RGB is a color changing, edge-lit, flat panel LED light source providing even, indirect lighting. At only 8mm thick, Custom LitePad RGB is perfectly suited to virtually any backlighting installation or to projects where only a cool, low profile light source can be used. Comprised of indirect LED sources machined into a cast acrylic panel (a patented system), Custom LitePad RGB is both durable and reliable, and can be fabricated in virtually any size or shape.
Custom LitePad RGB includes all the same features of Rosco’s standard LitePad product but uses high quality color mixing RGB chips. Three channels of control are used to dial in the precise color desired. Rosco project consultants are available to assist in specifying the optimal configuration of panels and accessories for your project.
LitePad Vector is the light fixture cinematographers, gaffers, videographers, lighting directors and photographers choose for on-location lighting. LitePad Vector CCT creates the same soft, even illumination that LitePad is known for, now with four times the output of its 12″x12″ LitePad predecessors. With a tunable color temperature range of 3000K – 6000K, and its light-weight, compact form-factor LitePad Vector is the ideal lighting solution for location interviews, mobile documentaries and television/feature film productions. Thanks to its on-board dimming & color temperature controls, and its compatibility with standard Anton/Bauer or V-Mount battery packs, the LitePad Vector easily goes everywhere a flattering, soft light is needed.
The Rosco Silk 110 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 110 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 110 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 110 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 205 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 205 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 205 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 205 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 210 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 210 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 210 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 210 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 220 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 220 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 220 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 220 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 305 LED fixture provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk LED lighting system has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
The Rosco Silk 305 LED soft light provides uncompromising light output for film and broadcast professionals. Designed to meet the requirements of the most discerning filmmaker, the Silk 305 LED light fixture has been specifically developed for film and video applications that demand extremely color-accurate, high-quality light.
This small power box is a DCDC converter, indispensable to control the MINI Switch light. It controls both the intensity (0 to 100%) and the colour temperature (3000 to 5600°k) with a smooth dimmer. It can take any DC charge from 12 to 35V and will convert it into 24V DC.
It mounts on the back of the MINI Switch with a brilliant new quick-lock system.
Running of battery power: both V-lock and Anton Bauer battery plates can mount onto the MINI Controls to make the power unit into one block, as well as mount on the back of the light to spread the weight evenly.
Running of AC power: a MINI Power Supply Unit is included in the basic light KIT, which can also mount on the MINI Controls OR the back of the light.
This small power box is a DCDC converter, indispensable to control the MINI Switch light. It controls both the intensity (0 to 100%) and the colour temperature (3000 to 5600°k) with a smooth dimmer. It can take any DC charge from 12 to 35V and will convert it into 24V DC.
It mounts on the back of the MINI Switch with a brilliant new quick-lock system.
Running of battery power: both V-lock and Anton Bauer battery plates can mount onto the MINI Controls to make the power unit into one block, as well as mount on the back of the light to spread the weight evenly.
Running of AC power: a MINI Power Supply Unit is included in the basic light KIT, which can also mount on the MINI Controls OR the back of the light.
Basic DC Driver for SL1 SWITCH. Mounts directly onto the back of the light panel with spring
loaded system. Chogori input connector and over moulded 8-pin output connector.
This small power box is a DCDC converter, indispensable to control the MINI Switch light. It controls both the intensity (0 to 100%) and the colour temperature (3000 to 5600°k) with a smooth dimmer. It can take any DC charge from 12 to 35V and will convert it into 24V DC.
It mounts on the back of the MINI Switch with a brilliant new quick-lock system.
Running of battery power: both V-lock and Anton Bauer battery plates can mount onto the MINI Controls to make the power unit into one block, as well as mount on the back of the light to spread the weight evenly.
Running of AC power: a MINI Power Supply Unit is included in the basic light KIT, which can also mount on the MINI Controls OR the back of the light.
External AC/DC power supply which plugs into the MINI Switch Controls.
It can mount on both the back of the MINI Switch Light and the MINI Switch Controls with a quick-lock system.
The MAXI Switch power box is a perfect combination of design and control. It separates into 2 units, the Driver and Power Supply Unit (PS). The Drive also can be mounted on the back of the lamp head for maximum comfort of control.
This power box embarks all the latest wireless technology:
WIFI, so it can be controlled directly from your smartphone or tablet.
DMX and WDMX, using Lumen Radio’s emit/receive Timo Chip.
It runs at 24VDC so can also be powered by a battery source with a load of minimum 20Amps
Mounting plate which welcomes V or gold mounted batteries. Chogori output connector.
Fits directly onto the back of the Light with spring loaded system or can be carried using
the shoulder strap.
External power supply in its shell – mounts on the back of the light with Velcro straps. An additionnal fastening plate allows completely secured mounting with screws. Handle and
standard 3/8-16 thread for independant hanging.
Neutrik PowerCon True 1 in and through AC power plug allows for AC daisy chain.
The Handle Mount is made of 100 % aluminium and quick-locks onto the light or the DMX power Box with a spring loaded locking system.
Ideal for any moving situation, or places where a stand doesn’t fit.
Quickfit handle, it will turn any moving situation easy! Provides a very comfortable hold, a must have in any of our kits.
Goose neck 16mm Female Receiver with 360° single ball action – ideal for c-stand mounting.
Made of steel, it will secure any weight between 1 & 15kg 51lb – 33lb)
Available for: MINI, SL1 & MAXI Switch (Universal mounting plate)
Standard 10mm Lolly Pop male mount with 360° single ball action – universal mounting plate.
Maximum Weight Load 20 kg
Standard Mount for MINI SWITCH / SL1 SWITCH & MAXI SWITCH
Rigging accessories that mount on the back corners of the light with strong ¼ turn fasteners, allowing two (LINK 2) or four (LINK 4) lampheads to join together. An arch with a hole for M10 accessories allows standard mounting options to be used while fastening to tubes and structures.
The LINK 2 is to be used on the sides of joined lampheads. Side threads allow for mounting on the double yoke accessory.
The LINK 4 is to be used between four lampheads.
Yoke for three assembled MAXI MIX lights with 28mm spigot, which enables full 360° rotation. The Triple Yoke includes four LINK2 accessories for assembly and two short AC cables for daisy-chaining power.
The bag for the MINI SWITCH/MIX can welcome one fully accessorised kit (except The Dome which comes in its own bag). Hard fabric bag with wheels and extendable handle.
Rigid Bag with Wheels and Shoulder Strap. The Rigid Bag can contain one fully accessorised SL1 Switch/MIX Kit (DMX or DC/DC) including DoP Choice items and The Dome. Soft partitioning walls inside the bag to add extra protection.
Available for both SL1 and MINI SWITCH & MIX, and for the MAXI MIX, the “Dome” is our most popular diffusion accessory.
It slides onto the light replacing the standard flat diffuser. Its round shape makes it the perfect light-softener with a larger spread of 160°.
Moreover, it gives out a really nice slick line of light and creates great reflections. It is particularly appreciated in car/beauty commercials.
Barn doors are light modifiers to shape and direct light. Quick fit function with 2 spring loaded screws which fit directly on to the side of the light.
Lightweight and robust; can be re-tightened manually.
Available for: MINI & SL1 SWITCH/MIX
Available for both SL1 and MINI SWITCH & MIX, and for the MAXI MIX, the “Dome” is our most popular diffusion accessory.
It slides onto the light replacing the standard flat diffuser. Its round shape makes it the perfect light-softener with a larger spread of 160°.
Barndoors especially designed for the MAXI MIX that easily shapes and directs light.
Strong fixing system with 4x quarter turn claw that attach to dedicated holes at the back of the fixture.
The DOT Round Diffuser is a half globe that magnetically snaps onto the front of Rosco’s DMG DASH LED fixture. This accessory transforms the light from the rectangular DMG DASH into a glowing circle of light – making it perfect for creating eye light, adding a dash of color into a tabletop shot, or for use as an on-screen practical. Made of flexible silicone, the DOT collapses flat for storage and transport. Each DOT ships with a fabric bag.
A softbox, designed by DoPchoice, for the DMG DASH Quad Kit that easily mounts onto the lights when linked in the quad configuration using elastic straps. The SnapBag is manufactured using a neutral, black fabric with a reflective interior and a MAGIC CLOTH® diffuser panel.
Four-leaf barndoors that quickly attach to the front of a single DMG DASH via magnets to shape and direct the fixture’s light output. The barndoors accessory also features elastic straps for additional security.
This award winning item is just a beauty. Your dreams have come true, you can now fit an egg crate onto a light in just a snap!
The SnapGrid was specifically designed by DoP Choice to fit both the SL1 Switch and the Mini Switch. It straps around the light with velcro in less than 30 seconds. It is made of high-quality fabric and its patent protected framing system makes this accessory very easy to fold into nothing for minimum space usage.
It will cut and direct the already-soft-light of both the SL1 Switch and the Mini Switch at 30/50° angle, in a way you have not seen before.
Fits around the SnapBag with velcro, directs the soft light at 40/60° angle (horizontal/
vertical).
All DOP Choice items are made of black neutral fabric. Reflective inside and high quality
diffusion cloth.
he SnapBag is a soft light box specifically designed by DoP Choice to fit both the SL1 Switch and the Mini Switch.
It comes with 4 steel rods which lodge directly onto the light, onto which the softbox tenses itself.
The SnapBag increases the light surface to 135x40cm (53×16”) for the SL1 Switch and to 80x40cm (31×16″) for the MINI Switch.
It also comes with 3 fabric diffusions (quarter, half and full).
Light bank which mounts directly onto the light into the designated holes – comes with a
full, a half and a quarter fabric diffuser.
All DOP Choice items are made of black neutral fabric. Reflective inside and high quality
diffusion cloth.
Fits around the SnapBag with velcro, directs the soft light at 40/60° angle (horizontal/
vertical).
All DOP Choice items are made of black neutral fabric. Reflective inside and high quality
diffusion cloth.
Directs the softlight at 30/50° angle (horizontal/vertical) Mounts rapidly onto the light
with a clever velcro system.
All DOP Choice items are made of black neutral fabric. Reflective inside and high quality
diffusion cloth.
Four-leaf barndoors that quickly attach to the front of a single DMG DASH via magnets to shape and direct the fixture’s light output. The barndoors accessory also features elastic straps for additional security.
he RABBIT-EARS® soft box fastening system replaces the heavy and cumbersome speed ring standard for mounting DoPchoice’s SNAPBAG® soft boxes. RABBIT-EARS® allow soft boxes to be mounted firmly in under three minutes.
MFR : 29811205A223 / DOP-RE-2 (RABBIT EARS For 2 MINI SWITCH or MIX)
If you already own a RABBIT-EARS generic mounting system from DoP Choice, you can simply purchase the adapters to use a DMG MINI led light.
Octagonal RABBIT-EARS SNAPBAG® with 3′ diameter. Due to highly reflective fabrics you will get maximum light output. Even without a baffle they deliver even illumination across the front.
OCTA 3 can be used with either RABBIT-EARS 1 or RABBIT EARS 2.
Octagonal RABBIT-EARS SNAPBAG® with 5′ diameter. Due to highly reflective fabrics you will get maximum light output. . Even without a baffle they deliver even illumination across the front.
OCTA 5 can be used with either RABBIT-EARS 1 or RABBIT EARS 2.
Waterproofed high quality Full White LED ellipsoidal available in Tungsten and Daylight versions
EclProfile FWIP is the IP Full White version of the new generation of Ecl Profile LED ellipsoidals, and it is available in the TU (tungsten) and DY (daylight) source variants. The EclProfile FWIP has been engineered in the same housing and optical design of the colour mixing versions and for those users who require higher brightness and quality on a specific white point, offering a superior evenness and crisp focus of the new EclProfile range, or simply prefer to operate LED fixtures in a classical way. The LED source for both versions has been selected to achieve the finest quality of whites, having high scores of CRI, R9 and TM30 and being ideal for applications like corporate events, advertising, exhibitions, among others.
370W Tunable White and colourful LED soft light with pixels and lighting effects (driven @ 220W)
EclPanel TWCJr, is the compact 1×1 LED soft light that provides a beautiful, wide source of soft and precise colours. In addition to this, the PROLIGHTS EclPanel TWCJr comes with a full range of white reproductions, from daylight through to tungsten tones, reaching a superior light quality with high CRI, TLCI and TM-30. The EclPanel TWCJr allows for quick and accurate local adjustment of light through 3 rotatory knobs with three fully featured modes: CCT with +/- green shift, HSI for total control of hue, saturation and intensity, FX mode to access the on board pixel cinema effects. The unit can also be controlled on a per-section basis, allowing for reproduction of onboard customisable effects or to be self-made through the lighting desk. Both methods provide eye-candy, with the appealing and modern front looks and cinematic special effects. The unit is designed with an onboard driver and built-in power supply and, being lightweight, the EclPanel TWCJr offers easy rigging and cabling making it the perfect lighting tool for every location.
540W Touring high-flux LED moving profile
The Ra 2000ProfileHB is the high-flux variant of the Ra 2000Profile designed for touring applications, offering the same footprint and feature set, but engineered around an LED source, which scores 40% higher intensity with lower colour rendering. Powerful, compact and fully equipped with both framing shutters and an animation wheel, all whilst delivering a superior brightness, the Ra 2000ProfileHB is an indispensable tool for any show. The 6.300 K LED engine has been custom-engineered to make the Ra 2000ProfileHB hit a 18’900 lumen output, and the on-board CRI enhancement filter still allows the possibility to obtain a CRI > 83. The Ra 2000ProfileHB CMY system delivers beautiful pastels, stunning saturated colours and powerful primaries. One colour wheel provides split colours, and linear CTO allows the Ra 2000ProfileHB to blend in with traditional sources. This unit is packed with powerful features like a gobo wheel, adjustable framing shutters, an animation wheel, iris, prism and dual linear frost. The highly efficient optical system delivers a 1:6 zoom from 8° to 50°, and crisp focus to perfectly merge multi-layer effects. The Ra 2000ProfileHB is the embodiment of solid-state LED technology.
7x40W RGBW moving wash light with 4°-56° zoom and pixel control
Astra Wash7Pix is a compact and fast LED moving wash light. Despite its small size, it comes with an extensive feature set which can typically only be found on bigger luminaires.
Based on a 40W Osram RGBW LED light source, the unit features an extremely high-efficient optical system capable of zooming from 4° to 56°, making it extremely versatile for any application as beam or wash light.
Astra Wash7Pix is single pixel controllable, with multiple on-board FX, and allows access to a precise and advanced white and colour control, all through DMX, W-DMX, Art-Net, sACN, Kling-Net and RDM.
The Vortex8 is a versatile 2×1 RGBW system with CCT ranging from 2200K to 15000K that can be used as a hard punch light to bounce or push through diffusion, or as a creamy soft light with the Creamsource Dome or DoPchoice Snapbag. Effects and colour Gels are built into the latest CreamOS architecture in addition to a range of new features wrapped into an intuitive user interface.
Unpredictable weather and messy effects machines are no longer a worry for the lighting department where the Vortex is in place. The Vortex8 is IP65 water resistant and sealed for the ultimate security and efficiency. Rain, snow and dust wont hold the Vortex back.
The Creamsource SpaceX is an innovative approach to high powered film and TV lighting providing a full spectrum soft source. SpaceX combines the latest LED technology with sophisticated colour management, optimised form factor, ergonomics and elegant design in a light weight 18kg/40Lb package.
SpaceX boasts an array of six powerful LED engines, cooled by a highly efficient and quiet fan system, and integrated lightweight power supply directly into the fixture – doing away with bulky and heavy external ballasts.
SpaceX opens up a myriad of possibilities for gaffers and lighting specialists, in-studio and on location.
But… It’s expensive, right?
Nope! You get twice the light output for your dollar compared to the rest of the market. At $5.40 per Watt of power, SpaceX is under half the average market price.
The Vortex4 is a 1×1 RGBW All-In-One system with PSU and antennas integrated, reading 7300lux @3m on the meter. This fixture has a CCT range from 2200K to 15000K. Vortex can be used as a hard light or soft light with the Creamsource Diffuser or Dome.
Effects and colour gels and our latest technology ‘FrameSync’ are built into the latest CreamOS architecture. Like it’s big brother, Vortex4 has no problem with weather, messy effects machines or extreme dust. The Vortex4 is IP65 water resistant and sealed for the ultimate security and efficiency.
The Creamsource Micro is the first product in the line up this is compact, and aimed at the owner operator.
It features a rugged and waterproof design, with an IP65 rating which means it can be used in all weather. The light output is the same excellent quality as the rest of the Creamsource range, with colour temperature adjustable from 2700 to 6500K and a CRI/TLCI of greater than 95. Drawing only 80W, it rivals the light output and punch typical of some 200W HMI Luminaires.
The Creamsource Micro Colour features calibrated red, green, blue and white LEDs (RGBW) – so as well as producing beautiful white light in any CCT from 2,200K to 15,000K, it also has green/magenta adjustment and can produce vivid, saturated colours.
The Micro Colour has a 20 degree beam angle for maximum punch, fan-free cooling for silent operation, and is water resistant so it can be used in all weather (IP65 rated). It is lightweight yet rugged, quick to rig and its compact form factor means it can squeeze into small spaces on set.
Astera’s LeoFresnel is as an exceptional solution for film, studio, and event lighting. LeoFresnel boasts an impressive output comparable to a traditional 1000W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 250 W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.
Astera’s PlutoFresnel is an exceptional solution for film, studio, and event lighting. PlutoFresnel boasts an impressive output comparable to a traditional 300W Tungsten Fresnel. With a beam angle of 15° to 60° without color fringing, wireless and wired DMX control, these lights offer impressive performance while consuming only 80W. Easy to mount and adjust with removable handles and YokeBases, they enhance creativity and productivity on any set.
Beam shaping with six included light modifiers and a large range of mounting options make HydraPanel more flexible than any other product in its class. The full-spectrum Titan LED Engine generates an impressive 1300 Lumen output while running on battery power.
LED Bar with built-in battery for stage, events and film lighting
Astera’s Wireless PixelBar is a linear wash fixture with built-in battery pack. Each of its LEDs can be individually addressed and offers ultra-high color rendering, digital color calibration and a native 21° beam. Thanks to its smart stands, hanging bracket, connectable endcaps and the integrated airline track it can be quickly assembled in numerous ways and is suitable for a wide variety of applications such as concert/touring, corporate events, TV etc.
The PixelBar is available in 1m (16 x 10W LEDs) and 50cm (8 x 10W LEDs).
The AX3 is a battery operated, easy to use IP65 RGBW puck aimed at stage lighting and corporate events. It can be used as uplight as well as hanging or standing spotlight and inside translucent objects, truss, etc. It is extremely compact and yet offers a high brightness paired with long battery runtime and range.
Optimized for a fast return of investment, this stage lighting fixture replaces your wireless and wired PARs as well as battery uplight. It’s the ultimate tool for entertainment professionals.
The AX9 utilizes the AX5’s successful 3-in-1 concept which allows it to be used as wireless light and elegant uplight as well as a wired PAR light for longer or bigger installations. This makes it an extremely cost-efficient light and keeps your investment to a minimum.
The AX9 packs extreme brightness in a compact and light housing while still giving you industry-leading colors and white tones thanks to its Titan LED Engine.
Launched in 2014, AX10 was Astera’s first light of the AX-series and introduced many powerful features: RGBAW LEDs, TruColor calibration, IP65, foldable stand etc
Say hello to our next-generation multi-purpose light. In addition to being a battery-powered uplight and spotlight with 5 different beam options, multiple PixelBricks can be connected to form clusters and shapes. With about 10cm edge length and 1kg weight, it is small and lightweight while still featuring a powerful output of high-quality light which meets the highest demands of film, TV and stage clients.
The most powerful lighting control App for film and event lighting
The Astera App offers intuitive and fast control of complex lighting setups with fully customizable programs and effects. It is designed to work seamlessly with other control methods. It can set up DMX addresses and footprints for CRMX control and Astera’s IR remote can be used to send App commands to single lights.
Essential accessory for Titan Tubes. Use it to charge or install up to 10 Titan Tube or Helios Tube for longer operation. Also allows wired data transfer from DMX, Artnet and sACN sources. Comes with PowerCon AC cable and 8 short DC charging cables. Longer Power/Data Combination cables sold seperately.
AsteraBox is an interface between lights and controller. It can be used as a wireless DMX transceiver with CRMX technology and also works as Bluetooth Bridge between AsteraApp and lights. Its built-in battery enables an easy and time-saving setup, just like with all of Astera’s products.
The first color-tunable LED bulb for professional film, stage and event productions. Not bigger than a normal LED bulb, it contains a CRMX receiver as well as RF and Bluetooth modules for the AsteraApp. It can be powered via lamp socket or with a standard power bank and thanks to its Titan LED engine it displays precise colors and white tones with ultra-high CRI and TLCI. Available in white and black.
After the enormous success of the Titan Tube, Astera has created the double length Hyperion Tube, which measures just over 2 meters and around 80 inches. Double the LEDs, double the batteries, double the brightness, double the pixels and the same high-quality light with App, CRMX and on-tube control and wired DMX option.
The ultimate LED tube for film, studio, stage and events.
Titan Tube is the ultimate LED tube for filmmakers, studios, event technician and any creative person. It emits powerful, tunable whites with ultra-high color rendering as well as colored light which can be applied to individual pixels or the whole tube. The tube offers unlimited range of usage; indoor or outdoor, AC-powered or on battery, on the go with the AsteraApp, with wired or wireless DMX.
Shorter tube for more portability and flexibility.
Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.
Shorter tube for more portability and flexibility.
Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.
ARRI STUDIO Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI’s elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength.
ARRI STUDIO Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI’s elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength.
ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T1 is available in both manual and pole-operated versions.
ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T2 is available in both manual and pole-operated versions.
ARRI True Blue represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI True Blue T5 is available in both manual and pole-operated versions.
Starting with the EB MAX 1.8 in 2017 ARRI built the foundation for a whole new range of high speed electronic ballasts – the EB MAX Range. Together with three other models − EB MAX 2.5/4, EB MAX 6/9 and EB MAX 12/18 − the MAX ballasts offer cutting-edge features with new remote control possibilities from 575 up to 18,000 W.
Combined with state-of-the-art ARRI daylight lampheads such as the True Blue Daylight or M-Series, the EB MAX Range enables optimal performance and advanced control for high image quality at any frame rate.
For ultimate ease of use, indicators on the ballast’s front panel display the lamp wattage, DMX channel, operation mode and selected lamp frequency.
ARRI’s High Speed ballasts accept the challenge of modern digital high-speed photography with ease.
Running lamp frequencies up to 1,200 Hz High Speed ballasts facilitate high quality flicker free images even at frame rates of 1,000 fps and in many cases beyond even with a single discharge daylight source. Set to High Speed mode, ARRI electronic ballasts supply the lamp with a greatly raised square wave current, allowing worriless shootings for many various application such as SFX, VFX, commercials, sports, industrial applications, automotive component testing, ballistics or material testing.
ARRI High Speed electronic ballasts are available up to 800 W.
For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. The range of ARRI Basic ballasts features state-of-the-art electronics and offers easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories complete the ARRI Lighting product line.
ARRI also offers ballast solutions dedicated to the Event business. The intelligent remote 19″ electronic ballast untis are made for rack mount installations with multicore power distribution. Those ballasts fit perfectly to the lampheads of the ARRI Event series.
The ballast units (except of EB 575 EVENT SINGLE) consist of three easily exchangeable modules and can be operated manually or via DMX remote control. Each channel can be switched or dimmed to 50 % individually and the front panel indicators show the status of both – lamphead and ballast.
